Caren Florance and material book culture in Canberra

Caren gave a good quick interview on ABC Canberra radio on Sunday 17 May, about the growth in the material book arts in Canberra and the 80 in particular, with a boost for the Guild. It was in reference ato her very interesting article on  the history of book culture in Canberra since 1980, by someone who was and is in the thick of creating it, and that many of us have been living through without realising the significance.A recording should be up on ABC website in a couple of days.

By “material” book culture she means the forms and the structures, bindings and decorations, the construction of books as objects, hand-printing and artists’ created content, in contrast to the content-focus of words and pictures in mass publishing.

The original interesting snappy article is at

https://www.axonjournal.com.au/issue-8-1/flashdancing-through-canberra’s-material-book-cultures

Chris Johnson

The lost page in Ecce Mundus

The Canberra Craft Bookbinders Guild challenge for 2020 is to bind a copy of Ecce Mundus, the manifesto from Thomas Cobden-Sanderson of the Arts and Crafts Movement and the Doves Press and Doves Bindery. Printed sheets to bind are available from Vicki Woolley.

But there’s an unexpected blank page 44 in the text block, at the end of the second essay. It was absent from the online source when the book was extracted and printed for the Guild, and was apparently reinserted at the source some time in the succeeding months. There is no spare paper to print a new page, but it is possible to overprint your own sheet before binding – if you line things up correctly (and put the paper in the right way around). This took me a few attempts but it did work in the end, and the slightly different black and inkjet rather than laser printing is not apparent.

Here is a link to a PDF file and a Word version of the missing text as a picture. The page boundaries on these do not match the original printout (because I had trimmed my pages a bit before I noticed the missing problem), but I hope that you can print the one of these Word pages by itself, measure the offset of the desired cut marks against the original page, and reposition the image of the page in Word before you overprint onto the existing page. Or trim the original page to match the cut marks before overprinting, which seems a bit riskier. (I found that Word and Acrobat reader print landscape pages the opposite way up on my computer – so be wary).

The missing text looks like this (TJCS does tend to SHOUT a bit). It should be 7.5cm wide on the page.

page 44 of Ecce Mundus

Using lacunose as an onlay

Chris Johnson in virus timeApril 2020

I used the rectangular panel of lacunose leather fragments on paper that I showed in a previous blog posting to make shaped onlay pieces for a pair of related books. The books are written in the 1930s by Olaf Stapledon: Last and First Men (published 1932, section sewn, paper cross grained – why?) and Last Men in London (part of a 1980s Penguin edition perfect binding, also cross grained but there’s more excuse with a perfect binding). The ‘Last Men’ are those of the 18th future species of humans, living on Neptune a hundred million years in the future. (Stapledon was a big long range thinker, following H.G. Wells and contemporary with Aldous Huxley’s Brave New World, an alternative vision of a future that is only 600 years ahead. He was a remarkably visionary, describing a world power struggle between China and USA in the 21st century… but that’s not the point here!). These books needed something relating to the themes of a very fractured future history and future evolved species of people who range from brutes to advanced brains.

Last and First Men simplified binding with lacunose – Chris Johnson March 2020
Last & First Men and Last Men in London – Chris Johnson March-April 2020

The bindings are in simplified structure (that is, the spine is made on the book, the boards are covered separately and pasted onto the front and back). The leather spines are in complementary colours of the same type of fine, glossy goatskin. The board covers are plain soft kangaroo (very soft, it shows every mark) with a dark protective goatskin strip a few millimetres wide at the head and tail edges. The covers have multicolour onlays that are pieces made from the one lacunose panel.

I selected portions of the lacunose that suggested the themes in the books and cut them out along fragment boundaries, thinned them, sanding them back as far as I dared and then paring the edges. Sanding the back of the pieces with the front against a flat board reduced the uneven thickness. Some of the paper backing remains, so the shapes were stable and still in one piece. They still protrude a bit above the board leather, but the edges curve down to a smooth finish. The oval medallion pieces on the back were cut with a large oval craft punch and then thinned out to soften the edges.

The forms of the pieces were not planned when I was making the lacunose panel, but I chose them from what emerged. This method of design works better for me than trying to design too much in advance. (I do the same with paste paper, making it with broad strokes then finding the best bits afterwards.) I spent a couple of days juggling layouts with a larger set of prepared pieces, leaving them overnight and taking another look in the morning until it felt right. Then I thought I could do more lacunose pieces on the spines – but sanity said to me NO! (1) the spines are too narrow, and (2) less is enough!

Spine titles? – desirable for these books and for this design, maybe in gold lettering, sometime in the future. I did stamp the foot of the spines in blind with the publication date of each book (doing this in gold is a neat convention from the end of the 19th century) and that could be done too – when I have had more practice gold tooling.

Lacunose – how to

Lacunose with strips and a collage

‘Lacunose’ technique developed by Paul C. Delrue.

To encourage people to learn how to do this technique Paul wrote instructions. Paste this link into your browser and download the pdf. https://paulcdelrue.com/Techniques.php

What leather to use ? Try anything or experiment with your own colour scheme by dyeing vegetable tanned kangaroo skin in natural. Easy to pare.

Sketch book, no stitching

Saturday 14 March 2020

9.30am – 12.30pm, Room 3 Hughes Community Centre, Hughes, ACT

Teresa and Wendy will demonstrate how to make this sketch book.

It is a robust A5 hardcover book made with very little equipment. It opens out flat, pages can be removed and replaced. No sewing and very little adhesive. It has been tested by young children, artists, and others over the past few months and seems to stand up well.

Materials will be provided so all of us can make this book after the demonstration to take home.

What to bring

  • Cutting mat
  • Craft knife
  • Bone folder
  • Metal ruler
  • Glue stick
  • Pencil

See you all at our first drop-in for 2020.

$5 each to go to room hire. 

Secret Belgian Binding with tutor Guy Begbie

Cancelled

Guy Begbie will be in Canberra tutoring this two-day workshop in April. This workshop is designed for participants with or without bookbinding experience.

Date: Saturday 4 – Sunday 5 April 2020, 9.30am to 4.30pm both days at

Venue: Bookarts Bindery, Canberra

Fee:  $240 Deposit of $100 required to secure a place.

All materials will be provided for the workshop.

What to bring:  TBA

Please email: canberrabookbinders@gmail.com to secure a place.

Participants will have the opportunity to make a hardback book that has an elegant and distinctive thread pattern of sewing.

This is used to lace the front and back covers to the cover spine piece. The cover is made up of three separate components. The sewing is visible on the outside of the book. Measures are taken in the binding construction, to hide the interior thread on the inside of the covers.

The book block/pages are made up of signature folios that are attached in the sewing process to the inside spine of the cover. Learn variation in page structuring in each of the page sections with some gate folds and throw out pages. This binding is robust and durable and allows the book to lie flat when open.

Guy Begbie is a UK based interdisciplinary artist printmaker, bookbinder, independent bookbinding & book arts workshop provider and an associate art and design lecturer at the University of the West of England, Bristol, UK. Guy exhibited his work in ‘Code X: Contemporary Fine Binding’ at Craft ACT: Craft and Design Centre, Canberra, 9th February-27th March 2017.

Place in Canberra

PLACE exhibition in Canberra and then travelling to NERAM, Armidale

Members with work in the exhibition: Caren Florance, Monica Oppen, Beverley Quenault, Terence Uren, Marama Warren and Vicki Woolley
View work on-line https://alphabetcitypress.com/place/

Hinged Parchment Binding with tutor Barbara Schmelzer

The Hinged Parchment Binding is a full parchment binding using a combination of the classic German Parchment Binding and Edgard’s Polycarbonate Binding.

You will be dying and decorating your parchment, learn to sew the bookblock onto parchment tapes, round and line the spine and create hinges on the bookblock. The boards are prepared, covered and decorated separately from the bookblock. You will learn how to sand boards for bibliophile bindings, cover them with parchment, make the hinges on the boards, infill them and prepare and attach doublures.

Cost:         $650 (Material fee depending on usage of parchment, paper etc.)

Date:        April 18-22, 2020 (5 days/Saturday to Wednesday), 9.00am – 5.00 pm

Venue:     Unit 4/49-51 Mitchell Road, Brookvale, NSW 2100

A $150 deposit is due on enrolment with the remainder to be paid one month before course commencement.

Please enrol directly with: Barbara Schmelzer

phone:               02 9905 3117 or 0450 422 098

e-mail:                barbara@barbaraschmelzer.com.au

website:            www.barbaraschmelzer.com.au

Facebook:        Barbara Schmelzer

Section Sewing Saturday

All familiar with www. but for binders this Saturday it is sss. Section Sewing Saturday 14 September, 9.30am to 12.30pm, Rm 3, Hughes Community Centre.

The morning will start at 9.30. Many binding styles involve stitching, so your committee has designed a morning of hands-on activities around the topic of ‘Section Sewing’. Many questions arise when sewing sections and let’s see if they can all be answered. Experienced CCBG members have volunteered to share their knowledge by teaching this Saturday.

If you want to practice section sewing please bring along a text block. Suggest a text block of 7 sections. Alternative to a text block is to bring along paper and your bone folder to put together a text block to stitch. Come along only $5 which goes to cost of hiring room.

Last Drop-in Saturday for 2019

  • 9 November 2019